Did you know that the Vault has a Patreon? I’ve just given our Patron’s exclusive early access to a new blog post! This month, I’m asking if creating dystopias based on possible disaster is worth it. Could it make the reader feel like change is hopeless? Click here to read more: Is Dystopic Sci-Fi Just Suffocating Hot Air?
To all our loyal readers! A message from Editor Alex Massey:
Hello all! Just a quick post to say that the Vault is going on a short hiatus. There are a few reasons but to sum up – the past 6 months have been quite stressful and I am 100% burnt out. I need to hit pause and recalibrate. So, what does this mean for the Vault?
The Vault will be on hiatus until October 1, 2018.
Your submissions to date will still be read and responded to, but you won’t hear back from me until October. If you want to withdraw your submission, I understand completely.
I’ll be looking for a sub-editor!
I’m not sure how much I’ll be able to pay them, but that’s definitely the goal. With the contributions from our Patreon supporters, I definitely have some funds for an hourly-based wage. I’ve already had a few people show some interest, and I’m keen to expand to an actual editorial team!
Keep writing, we’ll definitely be re-opening to submissions in October.
Thank you for your support of the Vault and your patience as we take a break!
~ Alex J. Massey
Alone, I have sailed, sought and found
I am tired
Careening further still into the void, my dream of sleep is dashed
As thrusters wake
For the first time in 37 years, Voyager 1 was roused by the remote re-ignition of its thrusters by NASA to slightly alter its course. In this story, Nathaniel Darbonne re-imagines the awakening of Voyager 1, humanising it for his reader. If you feel your heartstrings pulled, this is not the first time a spaceship has been anthropomorphised – several spacecrafts have now ‘live-tweeted’ their own deaths (with the help of a human media department). What will future generations think of our compassion for inanimate spacecraft?
//Nathaniel Darbonne is a human.//
The district attorney’s histrionics left the audience in tears. Unimpressed, the robot juror considered the facts.
Inspired by research on how artificial intelligence will impact the way we work, writer Justin Short creates a sci-fi legal drama in Story #141. “Robots aren’t scary,” says Justin. “What’s scary is knowing your fate is in the hands of twelve humans easily swayed by emotional closing arguments.” With the launch of IBM Watson’s legal AI application, Outside Counsel Insights (OCI) in 2017, the legal industry is poised on the precipice of fast technological change. Yet, it must be asked – if we use robot’s to enforce the law, can programmers overcome their own unconscious biases to ensure the law is ethically enforced?
//Justin writes horror, sci-fi, and other stuff. Find him online at www.justin-short.com.//
U.S. DECLARES EMERGENCY EXPANSION OF GUEST WORKER PROGRAM
Contracts will be offered to citizens of all Latin American nations to fill pollinator vacancies ahead of the California almond bloom.
As North American honeybee populations decline dramatically, it’s interesting to speculate how the U.S. would continue to feed itself and the rest of the world. California alone provides 80% of the world’s almond supply. China has already begun to utilize humans as crop pollinators. With immigrants supplying over half of the U.S. agricultural workforce, a reassessment of immigration policy could be the future.
//Celina Chiarello (@thecelinas) is a mother of dragons, a writer of things, and an eater of cupcakes. Checkout more of the things she writes at girldoingstuff.com.//
They pull their fist closed as another species drops. Saiga antelopes. Murre. Musk oxen. They swivel in their chair, facing the panorama of beastkind surrounding them. Gnarly fingers point. Who next?
No species may be safe from the mass die-offs stemming from warm, wet or otherwise anomalous weather. Here, D. A. Xiaolin Spires anthropomorphises climate change as a villain searching for its next prey. Her work joins the growing genre of climate fiction and anthologies like Ecopunk!
//D.A. Xiaolin Spires runs, hides and dives—shedding fur to escape Climate Change’s warm, wet, idiosyncratic wrath. Work in Clarkesworld, Analog and Fireside.//